Abuse of Perfect Data is a moving-image exploration of generational memory, using 16mm archival footage shot by the artist’s grandfather in the 1950s–60s. The film juxtaposes analog slowness with digital acceleration, reflecting on youth anxiety, cultural inheritance, and the transformation of personal archives in the age of data.

Chae-yeon, who has never been in a relationship, secretly has a crush on Nam-gyoo, the president of her company, and practices kissing in front of the mirror every day. One day, Chae-yeon musters up her courage and asks Nam-gyoo to kiss her, but Nam-gyoo avoids her, promising her next time. But in fact, Nam-gyoo has never kissed properly before, so he goes to take kissing lessons to fulfill Chae-yeon's request.

Two girls just want to have - fame. And their path to being rich and famous lies through ups and downs of Stand Up Comedy. Never underestimate the ability of girls to stand up.

NieR:Orchestra Concert 12024 [ the end of data ] contains new pre-recorded readings from the English voice actors of 2B and 9S set directly after the events of NieR:Automata.

A 12-year-old boy faces bullying due to his weight and decides to take charge of his life by adopting a healthier lifestyle and trying to win the heart of the girl he admires. Through his journey, he learns the importance of positivity and standing against body shaming, discovering that true confidence comes from embracing who you are.

grey • scale / grāskāl / noun: A relationship that is not black or white but exists in varying shades of confusion. 　　Duckwrth presents a 1940s noir-style silent film that serves as a visual metaphor for the relationships in his life.

Arabella has her eye on Fred which means it's not easy. So when she (and Fred) attend the Tall Man's party, she is self conscious. Afterwards, to make herself feel better, she invites Eve round for her version of a party. And of course it's easy around Eve. So with a wave of self assuredness, she invites Fred round. But again she is self-conscious around him. So Arabella strategizes. Arabella who wants to be mad. Where madness isn't loony or kooky, it's the freedom to be.

The two-part documentary event “Right to Offend: The Black Comedy Revolution” explores the progression of Black comedy and the comedians who have used pointed humor to expose, challenge and ridicule society’s injustices and to articulate the Black experience in America. The series examines Black comedy through a unique lens, tracing the evolution and social awakening of the courageous comedians who dared to push against the constraints of their time and spoke truth to power.